Harsh Mehta

Audio Engineer

Music was the first thing that made sense to me. It still runs deeper than anything I've learned since. I process, mix, and master by ear and by analysis, and the work I care about most is the work where the listener forgets an engineer was ever in the room. Every mix on this page exists because I'd rather do fewer things and get them right. I spend most of my time now building AI systems, and the funny thing is, the console and the craft of engineering sound taught me something I'm still trying to replicate in code.

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Gallery

Live Archive

Selected stills from the image archive: rooms, stages, consoles, crowd sightlines, and the spaces where the work actually happened.

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Music Recommendations

Music I Listen To and Suggest

I Cover the Waterfront / Dinah / Tiger Rag by Louis Armstrong

I Cover the Waterfront / Dinah / Tiger Rag

Louis Armstrong

1933
JazzWarmjazz30s

Album: Speed-Corrected, 1933

A restored early-Louis Armstrong performance set that carries the swing, phrasing, and raw charm of classic jazz recording.

Out of Nowhere by Django Reinhardt

Out of Nowhere

Django Reinhardt

1940
JazzLyricaljazzswing

Album: Single Recording

Django's phrasing and harmonic instinct make this version feel effortless while still sounding sharply composed.

Take the "A" Train by Duke Ellington

Take the "A" Train

Duke Ellington

1941
Big Band JazzUpbeatjazzbig band

Album: Single Recording

One of the defining big-band signatures: elegant, direct, and still one of the cleanest gateways into Ellington.

Star Dust (Take 1) by Louis Armstrong

Star Dust (Take 1)

Louis Armstrong

1931
JazzNostalgicjazz30s

Album: Single Recording

A classic Armstrong reading with a loose, human feel that makes the melody sound lived-in rather than preserved.

Diminuendo and Crescendo in Blue by Duke Ellington

Diminuendo and Crescendo in Blue

Duke Ellington

1956
Big Band JazzExplosivejazzlive

Album: Ellington at Newport 1956

A live performance that captures Ellington at full force, where arrangement, tension, and release all land at once.

Billie's Bounce (Original Take 5) by Charlie Parker

Billie's Bounce (Original Take 5)

Charlie Parker

1945
BebopRestlessjazzbebop

Album: Single Recording

Parker at his most foundational: agile, unsentimental, and still a blueprint for how modern jazz lines can move.

Blue Monk (Rudy Van Gelder Remaster) by Thelonious Monk

Blue Monk (Rudy Van Gelder Remaster)

Thelonious Monk

1954
JazzCooljazzblues

Album: Single Recording

Monk's balance of space, swing, and asymmetry is all over this one, which is why it never stops sounding like Monk.

About My Work

Most engineers in Mumbai take the Bollywood path. Steady work, big budgets, industry connections. I studied Sound Engineering at ZIMA in 2017, took an Advanced Degree in Sound Recording from the University of Mumbai in 2018, and walked in the opposite direction.

I skipped the Bollywood circuit and went the other way, toward the genres that had no commercial value and no safety net: metal, rock, blues, jazz, classical, folk, regional acts that were too strange or too honest to break through the noise. The underground was where the musicians cared more about the sound than the size of the room, and that's where I wanted to be. That's where I learned on my own, developed my own ear, and found my own sound.

In 2023 I moved to Madison for a Master's degree and kept mixing. 120+ shows across UW's venues, 99 artists, rooms from 300 seats to Camp Randall at 80,000. Live mixing, studio sessions, production, mastering. The format keeps changing. The taste and the standard don't.

This collection is the work so far. Not everything makes the page. I'm a music connoisseur before I'm anything else, and that means being selective about what carries my name. If you want to know what I actually listen to and recommend, the Musicology section is where that lives.